Exhibited works of the thematic exhibition the blurst of times 🙁 at Schau Fenster, Berlin.

This project was curated and organised by myself (the artist as curator). As painting has become more and more commercialized I wanted to focus on the medium as a vehicle towards new formal solutions.

Radicality, the search for new formal solutions and the willingness to look for visionary new paths within the medium is what in my opinion unites the artists. In a time of crisis it feels good to see artists following a vision and love for art.

Scroll down to see the full exhibition.

Special thanks to the participating artists:
Sejin Kim, Giorgos Kontis, Orsolya Lia Vető, Xia Peng and Jacopo Dal Bello

Yi Weihu for the exhibition text and Clemens Krauss and Philip Grözinger for the big support

swirl.jpg

60 x 60 cm
oil colour on canvas
2022

Aesthetic pleasure – Kai der Brecher and Knacki

50 x 170 cm each
oil colour on canvas
2022

Giorgos Kontis | Xia Peng | Christian Fichtl

Giorgos Kontis | Xia Peng

Christian Fichtl

Sejin Kim | Giorgos Kontis

Jacopo Dal Bello | Orsolya Lia Vető

Orsolya Lia Vető | Inna Levinson | Sejin Kim

Accompanying exhibition text by Yi Weihua

It was the best of times, it is the blurst of times!
There was a time, art was the highest dream of humankind.
There was a time, art was the radical way to express new possibilities of our world.
There was a time, art was the media incubating social revolutions.

Where does art lead us to?

Nowadays, art claims itself participative, but people still doubt how we could better
understand it.
Nowadays, art is shown in exclusive enclaves organized by hugely financialized art system,
as if the general public’s interest is unimportant.
Nowadays, art exists everywhere in the real and virtual worlds, but hard to distinguish itself
from everything else.

The exhibition The Blurst of Times is self-organized by 8 artists to show an alternative view
of contemporary painting. All of those who persisted in cultivating the painting field are
sincere and philosophic warriors. They are aware of the coming indispensable degrowth of
analog artwork but still fight for it in this increasingly digitalized art world. Despite doubts of
the current context, they adapt it critically to develop their work, as they acknowledge the
impact of contemporary media on their perception of life and art. Analog form can still offer
artistic possibilities – this believe moves them further in this virtual addiction-generated
environment.

The driving force in this challenge is the fundamental base of The Blurst of Times. The
artworks in this exhibition are the documentation of the artists’ battles in each their own way.
We welcome you to have a slow-down moment to rediscover the beauty of tangible
essentials and to witness this upstream combat.